Tales of the Uke – Part Four

No songs today. Instead, the tale of earning my junior luthier badge. My Mitchell concert ukulele, which I started on and still play, sounded recently like an injured dairy cow. The strings were tuned, but they weren’t staying in tune while playing. (No, it wasn’t my playing!) The intonation was affected by both the age of the strings and the indentations that formed from being pressed against the frets.

I’d been dreading this day because it meant either taking the uke into the shop and paying someone around $30 to restring it for me or trying to do it myself with the possibility of suboptimal results. My Islander tenor ukulele, after a year, needed to have its strings replaced too. They sounded okay, but it’s recommended that strings be changed at least once a year. So, that meant parting with $60 and being without each instrument for a week at a time. I practice every day, so this was problematic, and I’d rather save the money, thanks. Also in the back of my mind was what an inconvenience it would be to snap a string while playing and then have to wait until a day off to get the uke into the shop. More lost time. Ugh.

Then I came across an online video that was better than any other how-to I’d found on string changes, covering the different bridge and headstock types. I decided to be bold and learn a useful skill. I spent about $50 to get a few tools: a quality string winder, nut and bridge lube, a neck support cradle, a wire cutter, and a bridge pin puller. I used Music Nomad products, which are great. I bought my strings through Strings By Mail, which came recommended on ukulele sites. They’re much cheaper to purchase that way, and the customer service is spectacular — handwritten thank yous and an assigned customer service representative — for strings. Strings!

I have come to like Aquila Super Nylgut strings, which were stock on my Islander and better quality than what was on my Mitchell. They are supposed to settle into tune quicker than other string sets.

I opted to change the strings on the Mitchell first for a couple reasons. One, the current strings were unplayable, and two, since I don’t play it as much as the Islander, I wouldn’t lose time on my primary instrument should I have mishaps. I took a few pictures of the surgical procedure:

The process was not without its struggles. Standard tuning for the ukulele is G-C-E-A. Traditionally the ukulele uses reentrant tuning, which means the strings don’t ascend in order. The G is high and the C is lower — the equivalent of middle C on the piano. The E and the A are higher than the C. So, the thickest strings are the C and E. The thinnest are the G and the A. Why am I mentioning this? Because I messed up the size of the knots I made that slide under the bridge and help keep the strings in place.

I put the G string on first, sliding it under the bridge and then winding the other end around the tuning peg on the headstock. Everything went well…until the string came flying out from under the bridge. Could have put an eye out! The how-to video suggested tying a double knot and slipping it under the bridge, but that didn’t work. So, I added a third knot, and that solved the problem. Yay! I put the C string on next, using my newfound knowledge. This didn’t work because the gauge of the string is much thicker than the G string. One knot would have been fine, but three made it impossible to slip under the bridge. I had already cut off the excess and I couldn’t undo the knot. I finally gave up and snipped the knot off and restarted. Unfortunately there was little excess string to begin with, and the ideal is to have three to four neat loops around the tuning peg. I only have two! It should hold fine, but that was cutting it close. The last two strings went on without a hitch.

The strings need to be broken in, which only happens with playing. Right now they’re going out of tune in the middle of a song, but it should only take a few days until they settle in. Already when in tune, the ukulele sounds better than it did with the old set of strings.

It took me around an hour to perform this surgery, so Jake Shimabukuro and Taimane won’t be calling me anytime soon to be the ukulele tech on their road crews. But hey, there were no injuries, nothing got damaged and the swearing was kept to a minimum. I’ll call it a success that gives me confidence to change the strings on my nicer Islander.

This was a real journey into the weeds on how to keep an instrument in good shape, but it’s all part of the experience on this ukulele journey I’ve been on for a year now. In my next installment I’ll tackle a tropical song — with strings that sound great.

Tales of the Uke – Part Three

One of my favorites songs is Jimmy Webb’s Wichita Lineman, which I remember hearing on the radio as a kid. Glen Campbell recorded and released the song in 1968, and it peaked at number three on the Billboard pop chart and went to number one on the Billboard country and adult contemporary charts. It has been covered a bunch of times by various artists, and in April 2011, Rolling Stone named it one of the 500 greatest songs of all time, coming in at 195. Not bad for a tune that wasn’t finished as it was being recorded!

There is a timeless quality to Wichita Lineman. Billy Joel once called it “a simple song about an ordinary man thinking extraordinary thoughts.” It’s easy to imagine a man in the middle of nowhere on a pole, checking a telephone line. He contemplates needing a vacation but is hamstrung by unpredictable weather that affects his job. His mind wanders to the love of his life, whom he yearns for. Yet, he stays on the line in this lonely environment. Musically, there’s no real home chord, so the song wanders, not unlike the lineman himself, both physically and mentally. There’s a beautiful wistfulness to the melody.

I was able to find and buy the sheet music online and started working on the song around Christmas. The music is bare bones and having heard the recorded version and a live version Campbell did in 2001 with the South Dakota Symphony, I wanted to emulate as much as I could with the ukulele. Trevor was very encouraging with this and helped in some areas. Other parts, such as the introduction and the bridge, I figured out by ear and made work in the key the sheet music was written.

I’m posting the lyrics here because they add context to the way I play the song:

I am a lineman for the county
And I drive the main roads
Searching in the sun for another overload
I hear you singing in the wire
I can hear you through the whine
And the Wichita lineman is still on the line

I know I need a small vacation
But it don’t look like rain
And if it snows that stretch down south won’t ever stand the strain
And I need you more than want you
And I want you for all time
And the Wichita lineman is still on the line

This took a lot of time to work up, and I’m pleased with the result. It’s one of my favorite songs to play:

I’m switching gears on my next piece, which will be a pretty Hawaiian song. Time to go practice, but I have to restring first!

Tales of the Uke – Part Two

While I haven’t written a lot about my ukulele playing since the holidays, other than a nod to World Ukulele Day, it’s been busy in the music room. A lot of practicing, occasional swearing and some big smiles! Turns out a string instrument is a little more difficult to play than the piano. Trevor, my teacher, points out this is because it’s not just about playing the correct notes. It’s about getting the tension right on the fretboard while playing those notes. Learning is a process, and while I still tend to play the instrument more than play the music, there has been a great deal of improvement after first picking up the ukulele last spring.

Since Christmas I’ve been working on new material for my repertoire. During the holiday season I bought sheet music for the Jimmy Webb song that Glen Campbell made a hit, Wichita Lineman. It has come along nicely and is almost ready for a YouTube performance.

I also received a Hawaiian songs ukulele book for Christmas and jumped into learning one of my favorite hapa haole songs, Hanalei Moon. This has been a bit difficult with a combination of strumming and finger picking. I’m getting close, but the tune still needs polishing.

Besides learning songs and doing scales, I’ve also begun finger independence exercises with my fretting hand. It’s not particularly enjoyable, but over a long period of time it should help my ring finger and little finger operate alone without taking other fingers with them. (Seriously, see how difficult it is to move these two fingers independently on your own hand!)

Back to the music room for more practice. I hope to have Wichita Lineman posted later this month.